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Game Review: Band Frontman Jason Williamson Takes On Role in Sceptical Examination at 90s Rave Culture

Helmed by Portishead co-founder the musician-producer, this scabrous though slight first film casts a critical gaze on 90s rave culture. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, enraged after David kills his dog. Nevertheless, a darkly funny standoff takes hold – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

Just a single key story turn, but it leads to a comically executed rampage on the forest trails that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film is in UK and Irish theaters from November 17.

About the author

Brad Washington

A passionate audio historian with over 15 years of experience restoring vintage sound systems and curating rare music collections.

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